Mooooooving on

Cow, oil on canvas, 7"x5"

`Io - Hawaiian Hawk

`Io (Hawaiian Hawk), oil on canvas, 6"x8" (SOLD)

Tangerine

Tangerines, Oil on canvas, 8"x8" (SOLD)

Interested in buying this painting? It will be available at the Volcano Village Art Studio Tour and Sale in Volcano Village, Hawaii starting November 23 through November 25, 2018! I'll be a guest artist at Emily Herb's Apapane Pottery Studio on Keonelehua Street. Emily, our host artist, will be selling her beautiful Hawaiian species-inspired pottery and Charlotte Forbes Perry will be there as a guest artist with ceramics and stained glass featuring the many native species found on the island. If it's cold, I'm sure we'll have a fire going. Come warm yourself as you enjoy the nature-inspired artwork and if you're inclined, please support the artist's of Volcano by purchasing the many one-of-a kind pieces available for sale. 

Hawaiian forest-living

Hāpuʻu-ʻŌhi`a forest, 6"x12", oil on canvas (SOLD)

Some paintings take a year ... Yup, I started this one in November of last year and set it aside after the initial blocking in. It's a view of my backyard, from the view of my "studio" so I knew I would be able to get back to it because I see this view every day. The ʻapapane (red native honeycreeper birds) outside were calling from the same trees so I took at as a calling back to the painting. 

I havenʻt decided whether to paint in the birds or leave it as is. What do you think? Does this need a spot of red?

Please excuse the highlights. The painting is still wet. 

Halema`uma`u and koa`e kea

 

Halema`uma`u and koa`e kea, 8"x10", oil on canvas (SOLD)

Living within a mile of Hawaiʻi Volcanoes National Park provides me with lots and lots of opportunities to visit the summit of Kilauea and watch koaʻe kea (white-tailed tropicbirds) fly around Halemaʻumaʻu crater. We usually see them flying around so far away (like the distant one I painted) that they are merely blurs so I decided they deserved a closeup. I mightʻve chosen a better pose but I enjoyed painting a different view of the bird.

This painting also tasked me to paint believable steam/smoke and I have to admit, it was a bit challenging. I viewed Wilson Bickfordʻs video on YouTube a while back that created a beautiful foggy scene by applying a thin coating of gel medium over dry paint and always wanted to try it ... until I realized I didnʻt have the gel medium he spoke of so I gave it my best shot using the medium I mixed myself. Light circular brushstrokes using a soft clean brush created a bit of wispiness that I was looking for. I think I need to use more medium next time. I'm working on a new painting so I'll have another shot at it.

The reference photo for the koa`e kea is, by permission, from Randy Bartlett who is not only a great biologist and program manager but also a professional conservation photographer. You can purchase his photographs or make a donation to his non-profit, Endangered Hawaiʻi. Heʻs also on Instagram: Endangered Hawaiʻi. A portion of the proceeds of this painting, including any of my other drawings or paintings of endangered species, will be donated to local conservation programs as well so they can continue to protect the species that make Hawaiʻi so unique. 

Nene goose (Branta sandvicensis)

Nene, 8"x10", oil on canvas ($120 USD)

Going bigger to 8"x10"! I'm still working on this painting but was just feeling happy about how it was going that I figured I'd post it now before I do the final touches. I just think these geese are so pretty. I think they're a favorite bird to paint in Hawaii because they tend to stand still and allow you to take pictures or paint them. So, not wanting to be typical, I opted to try something new and put this goose in front of a simple background, just to show off its adorable face.

ʻŌhelo (Vaccinium reticulatum)

ʻŌhelo, 5"x7", oil on canvas (SOLD)

Back to my oil painting! Iʻm getting ready for the Volcano Village Artistʻs Hui Sale coming up Thanksgiving weekend. If youʻre around, please stop by Emily Herbʻs Studio. Iʻll be there as a guest artist and will have original paintings like this one and some prints ... and a few surprises!

ʻŌhelo is one of my favorite plants to paint, not only because of the colorful berries (theyʻre related to blueberries, btw), but their leaves are colorful, with hints of red, orange, and yellow. The berries are usually tart and rarely sweet like blueberries but they make great jam or great just eaten off the bush. This painting was actually a bit of a struggle because my reference photos were pretty monochromatic so I had to draw out the colors and exaggerate some. I used a bit of retouch varnish last night, with the plan of fixing some of the details. I quite like that dangling branch with the rain drops. :)

Painting on plywood

Oil on wood, 5"x7" ($80 USD)

Straw Herring (aka davesbit) for Julia Kay's Portrait Party. 

It's been 30+ years since I've gessoed a board so it was a relaxing Saturday event. I gessoed a few boards, varying the texture and will reserve some for multiple coats. While I LOVE the feel of a brush on canvas, I figured I'd try an alternative to decide which I like better. And I must say the sound of a brush on a board is luscious but it's pretty hard on my sable brushes. I'll need to break down and get me some hog hair or synthetics for the early stages of the painting and save my sables for the finishing touches. I say luscious because it is an audial experience as well. Running my brush across a board (I didn't sand it by the way, opting for more texture) ... was a bit like painting sandpaper. I can imagine my sables getting whittled down to nubs! It grabs the paint very unlike a canvas. I like it. I'll need to test the boards out a bit more but I think it may be a new fave.

JKPP (thvedl/Lisa) ... "Blue"

"Blue" (Lisa), oil on stretched canvas, 8"x10" ($120 USD)

S-T-R-E-T-C-H! Lisa provided a wonderful black and white photo for us to draw and paint on Julia Kayʻs Portrait Party. I didnʻt take the plunge to translate it into a color painting so decided to do a monochrome but with blue instead. It did stretch my brain but I loved the challenge. I also jumped to a larger size, 8"x10", this time. Feel free to leave constructive feedback!

Aeʻo (Hawaiian Stilt)

Aeʻo, oil on stretched canvas, 12"x12" (SOLD)

These adorable aeʻo or Hawaiian black-necked stilts (Himantopus himantopus knudseni) are native to Hawaiʻi and can be found wading in shallow waters, including anchialine ponds, estuaries, wetlands and even water hazards at golf courses. These birds are federally and state-listed as endangered.

The reference photo for my painting is, by permission, from Randy Bartlett who is not only a great biologist and program manager but also a professional conservation photographer. You can purchase his photographs or make a donation to his non-profit, Endangered Hawaiʻi. Heʻs also on Instagram: Endangered Hawaiʻi.

A portion of the proceeds of this painting, including any of my other drawings or paintings of endangered species, will be donated to local conservation programs as well so they can continue to protect the species that make Hawaiʻi so unique. 

Note: the light areas in the background is reflective glare from the wet paint. 

Stocked up!

Aren't these lovely? I was missing my oils so I ordered a "lot" of Winsor & Newton artist oil colors from eBay. They finally arrived and I am now happily stocked up for months of painting before the next Volcano Village Art Studio Sale in November. I'll have original oil and watercolor paintings and some pencil drawings for sale and maybe the occasional clay sculpture so be on the lookout. I'll be posting paintings in preparation for it so you'll know what to expect when you stop by.

Hmmm, I just noticed I stock my watercolors in the same way, including my clothes in the closet. Yes, I arrange my clothes by color. Do people even do that?!

Irini's roses

oil on canvas, 5"x7"

The pinkish orange afternoon light on the bouquet of roses and rosemary that Irini made for our last group dinner together was especially pretty. She picked them from her gorgeous garden. That afternoon light is a color I've only seen in Greece, like the blues of the Aegean Sea. Early evenings were extra special because I was treated to the beautiful purple, orange, red, and blue sunsets that created natural art that I looked forward to every day. That light of the setting sun beamed into my "home away from home," lighting the front room and featuring shadows on the walls. 

I ended up using the oil colors I still had in my collection (as I mentioned in my last post, I left my favorite colors on Paros back in April). Alizarin crimson, Permanent green light, Azo Green, Cerulean blue, Phthalo tuquoise, Winsor lemon ... I think they were perfect for this painting and stretched my repertoire of colors. This might be a bit too dark but I like the starkness of it, which reminds me of the shadows I used to watch. I guess that is what art is for me ... a way to imbed in my brain the images and feelings of experiences. Even if I part with the pieces, the experience of painting the scenes and the feelings they evoke always stay with me.